We call it Henry Selicked
It's no lie that I love a lot of Burton's works. I love his artwork and his style and his strange creatures and quirky characters, especially in his earliest original works.
But it is also no lie that I grow more than tired of hearing his name in comparison with my work/me.
It seems that most people are under the impression that Burton created German Expressionism, black and white, "gothic"-themes, distorted angles (German Expressionism) and... bird skulls... or skulls of any sort.
I also really wish more people knew who Edward Gorey is, as it is in fact his style that is the huge inspiration behind my film layouts, not Burton. The style I am going for is a sort of... mesh of classic B&W horror lighting and Edward Gorey rough-hatching and patterning. (Which, ironically, I see a lot of Gorey influence in Burton's work... which isn't a bad thing at all, but it goes back to the complaint that "he did not invent... etc.")
Janet was not inspired by Gina Davis' Beetlejuice character during/after the face-stretching scene, as she is actually an in-joke I made to amuse myself when an overly thin girl remarked in my presence once that she was too fat. The phrase "she eats like a bird" mixed with the pelvis bones jutting out of her cheer leading uniform lead to Janet's anorexic physique and grotesque skeletal bird head.
I realize that people will always associate, but I also stand behind the idea of asking "have you ever actually seen Burton's artwork"? his stuff is very pleasing, but he does little more than scribble and use dynamic shapes and sizes on most of his works.
But I've noticed people like crediting Coraline to Burton, too, so I suppose anything slightly "eerie" is going to go back to him regardless of directorial style or character design style.
I just really like skeletons and the fantasy of a dark aesthetic D: which is why I like his movies, yet, but not what I think of when I sit down to draw.